This year's line-up was far more experimental than in previous years, which was obviously also the reason for the lower number of spectators than last year. If the usual suspects had been on the bill again, it would have been: "Again like Orange Goblin, Graveyard, etc." So the level of pre-Corona (over)saturation has apparently been reached again. The only difference is that transport and energy costs drove ticket and hotel prices to unprecedented levels. Added to this was the German Cup final in Berlin with around 80-100,000 fans. The organizers are even more caught in a dilemma between economic profitability on the one hand and musical variety on the other. In addition to music and merchandise, we fans mainly take away stories and feelings and the organizers deserve a big thank you for that.
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