One out of ten Postrock songs manages to stay in my mind, like "After you comes the Flood" performed by Mono. The rest is like a kind of elevator music with some edgy parts within a fairly regulated sound corset. Daxma manage to break through the usual twanging sound with a well balanced sound between distorted and clean, heavy and dreamy and an atmosphere between sadness and aggression. And due this well balanced cocktail of sound, skills and sensations, this nine-minute-monster never gets boring; you wait for the next surprise within the song , like the vocal duet betwenn Isaac (bass) and Jessica (violin) to bury the hope that (maybe) nobody will come tomorrow. Fantastic song.
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